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9 thoughts on “ Discorite - Plunderphonics* - 69 Plunderphonics 96

  1. Find album reviews, stream songs, credits and award information for Plunderphonics 69/96 - Plunderphonics on AllMusic - - This is it: the ultimate collection of John 10/
  2. Nov 01,  · a song by Michael Jackson remixed, re-edited and reproduced by John Oswald in , in a film by Martin Scorsese re-directed and re-edited by John Oswald in
  3. Sep 07,  · 69/96 is perhaps the definitive set of John Oswald's experimental Plunderphonics, a two-disc retrospective covering most of his most famous and often brilliant work, from the entireity of the ultra rare Electrax (or Rubiyat, as Electra renamed it) EP to selections from Plexure, Grayfolded, the original (and highly illegal) Plunderphonics CD /5(12).
  4. Plunderphonics 69/96 is a cultural paradox, one of the only truly underground musical phenomena to emerge in the latter quarter of the 20th century (“This art is more radical in its social and political associations than the introduction of the electric guitar”), yet featuring some of the world’s most recognizable music imbedded in novel Musician: John Oswald.
  5. Jan 21,  · "69/96" derives from the fact that John Oswald originally created the recordings between and These numbers are also used in the package design to stand in for quote marks around John Oswald's "plunderphonics" neologism/5(53).
  6. "Plunderphonics, or Audio Piracy as a Compositional Prerogative" - as presented by John Oswald to the Wired Society Electro-Acoustic Conference in Toronto in Musical instruments produce sounds. Composers produce music. Musical instruments reproduce music. Tape recorders, radios, disc players, etc., reproduce sound.
  7. Plunderphonics itself is driven almost entirely by the sonic desires of the composer, using the samples as an instrument in their own right, as opposed to using them as an added "extra" within a song. An overarching theme of both the essay and the music of plunderphonics on the whole - as the name implies - is the legality of sampling itself.
  8. Plunderphonics 69/96 is a compilation of Oswald's work, including tracks from the original plunderphonic CD. It is often assumed that "plunderphonics" is a brand name that Oswald applies exclusively to his recordings [citation needed], but he has stated several times that he considers the term to describe a genre of music, with many glamrock.fejoraakinokusnigelv.infoinfotive forms: Hauntology, vaporwave.

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